DEPARTMENT OF FINE AND APPLIED ARTS

Nigeria's rich mix of ethnicities, religions, and cultures has sometimes led to division, tension, and instability, making national unity difficult to achieve. The main issue that have hindered this ideal of unity in diversity include: Ethnic tensions and conflicts, corrupt leadership, Regionalism, social and political instability. The study is aimed to promote harmony, mutual understanding, and cooperation among all groups, turning diversity into a strength for building a peaceful and united nation. How my project was carried out: The project compels pieces that reflect Nigeria’s cultural richness. These artworks portrayed various ethnic groups and traditions, symbols and motifs that represent unity across Nigeria’s regions, aiming to highlight the beauty of unity through diversity. A documentary was developed to tell the stories behind the art, It included interviews and personal narratives that emphasized the importance of national unity and cultural understanding. The final stage featured public exhibitions and cultural events. These gatherings brought people together to enjoy performances, storytelling, and interactive activities that celebrated Nigeria’s shared identity and promoted social harmony. This project helped audiences better understand and appreciate the country’s diverse ethnic backgrounds, The project revealed that visual art can effectively unite people by showcasing Nigeria’s cultural richness. The initiative confirmed that creative expression especially through visual storytelling is a powerful tool for fostering unity in a diverse society. It demonstrated that celebrating cultural differences can build empathy and reduce social divisions. Introduce unity-in-diversity themes into school programs through art and civic education. Encourage partnerships between government, NGOs, and artists to expand similar projects.

This report embodies an attempt to provide a permanent solution to a preexisting problem. The in-availability of a well suited environment for the exploration and learning of the manual and traditional aspects of Graphics. Unable to be fully exposed to all corners and curves of the discipline the students would rely too much on computers therefore sabotaging their very own creativity. The major cause of this problem which will be further explored in this paper is the lack of necessary facilities imperative to the practice of manual graphic design which is still very relevant in this 21st century. This document reports in crystal clear articulation and lucid imagery the entire process of crafting a studio workshop for Graphics Design and communication section in the University Of Benin

Storage and display of textiles are as important as creating the textiles it self. The longitive of textiles depends on how well it has been stored, handled and preserved, also to appreciate properly a good textile produce it has to be displayed in the right manner to be appealing to the human sense of sight. This research is aimed at tackling the problem of storage and display of textiles in the textile unit, which will help improve the lifespan of textiles produced, protecting them from factors that damage textiles and also help showcase the beautiful textiles done in the university of Benin by the textile unit of the department of fine and applied art. The major aim of this research is to provide specially adapted compartments for the display and storage of textiles through construction. The concept of the compartments are gotten from comparative studies of various display and storage compartments in art museums, galleries and other higher institutions with a textile unit. It is hoped that the specially adapted compartments for storage and display of textiles will be useful in reducing fabric damage and help display textiles properly for it's beauty to be appreciated

This research critically examines five contemporary sculptural artworks located on Ekehuan Campus, Benin City, focusing on their form, expression, and communicative potential. The study addresses the skepticism surrounding the ability of sculptural pieces to convey universal, non-verbal communication, independent of linguistic or idiomatic interpretations. This skepticism raises questions about the accessibility of the sculptural language to diverse audiences and its effectiveness in transcending cultural and contextual barriers. The research aims to explore how these sculptures communicate ideas, emotions, and narratives through their forms and expressions. By analyzing the selected artworks, the study seeks to uncover the extent to which they fulfill their communicative roles and resonate with both informed and lay audiences. Using a qualitative methodology, the research involves on-site observations, photographic documentation, and critical analysis of the sculptures’ aesthetic, thematic, and symbolic dimensions. Interviews with the artists and viewers provide further insights into the intent behind the artworks and their perceived impact. The findings reveal that while sculptural artworks on Ekehuan Campus exhibit remarkable creativity and thematic depth, their ability to communicate universally varies. Factors such as cultural symbolism, abstraction levels, and viewer familiarity significantly influence interpretation. The study concludes that effective non-verbal communication in sculpture requires a careful balance between universal themes and contextual nuances. This research contributes to art history and criticism by highlighting the dynamic interplay between form, expression, and audience perception in sculptural art, advocating for a more inclusive approach to public art creation and interpretation.

One intriguing thing about sculpture is it's ability to bring ideas, imaginations, opinions and philosophies to life in three dimensions; That thoughts can be tangibly seen and felt as much as spoken about. That from materials lying bare on the floor one can create almost life like. The project is a long awaited quiet voice now shouting as an idea incarnated in three dimensions. Having been gifted with skill in the area of sculpture, I have found a visual means to communicating to society that man's mind must develop first for success to happen. This project is inspired by the idea to emphatically look into man’s quest for success, which in other words is tagged "flight" how that the quest for success pushes man to go for more and more understanding. By proof of research it is evident that from the earliest periods man has always wanted dominion which accounts as his success This project is intended to enlighten the public on the need to being resilient in their search for knowledge, because soaring high and being successful doesn’t happen accidentally but by systematic and guided approach to life. This project therefore adopts the exploratory method of data collection. And in material usage it adopts the technique of direct concrete modeling technique in sculpture. This project therefore presents visually, a Nine feet and 6inches sculpture in the round, finished in blue Partina and a touch of gold.

This study explores how local motifs can be used in jewelry making to preserve cultural heritage. It focuses on the importance of traditional symbols and how they can be adapted into modern jewelry without losing their meaning. The research looks at different materials and techniques, including the filigree method, which helps create detailed designs. By studying these motifs, the project shows how they can improve the beauty and cultural value of jewelry. The study also highlights how modern jewelry makers can use these traditional elements to create unique and meaningful designs. This research aims to support the preservation of local art by applying it in today’s jewelry industry

The problem of inadequate, inconvenient and uncomfortable Workstation and the absence of an ideal working atmosphere has been a recurring issue in the Department of Fine and Applied Arts, University of Benin. Which is worrisome in the Textile unit of the Department of Fine and Applied Arts, University of Benin? It is based on this observation and the quest to solve the aforementioned that necessitated the need for a construction of an ideal work station in Textile studio in the Department of Fine and Applied Arts, University of Benin. The method applied in solving this problem is a direct-labor approach in constructing a workstation with technical support from a professional Carpenter and Electrician. The study that emanated from this project research is that when this workstation is completed, the prolonged issue of inadequate space and equipment in Textile unit and as well provide a conducive working environment to showcase artistic prowess and talent without inhibition.