FULANI LIVELIHOOD

FURA DA NONO; A PROBE INTO THE FULANI LIVELIHOOD

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Abstract
This study examines Fura da Nono a traditional fermented milk and millet delicacy as a lens for exploring the Fulani people’s livelihood, political governance, socio-economic impacts, and the controversies surrounding their cultural and political roles in Nigeria., The research situates Fura da Nono not only as a nutritional staple but also as a socio-cultural marker of identity, migration patterns, and economic exchange among the Fulani. The work further probes the intricate structures of Fulani political governance, including traditional leadership systems, and assesses the socio-political impacts both positive and contentious of their presence in multi- ethnic Nigerian society. The study reveals that while Fura da Nono represents a unifying cultural symbol, issues such as herder-farmer conflicts, land use debates, and national integration challenges continue to generate public discourse and controversy. Findings contribute to broader discussions on cultural preservation, conflict resolution, and socio-economic development. The research concludes with recommendations for strengthening inter-ethnic harmony, supporting Fulani livelihood sustainability, and fostering inclusive governance frameworks. Using sculpture as a medium to convey the message, this project explores the rich cultural heritage of the Fulani people through the lens of Fura da Nono, using sculpture as a powerful medium to communicate their livelihood, political governance, impacts, and controversies in Nigeria.The sculptural representation captures the intricate process of marketing fura da Nono; a traditional fermented milk and millet delicacy highlighting the role of Fulani women in preserving this cultural practice and sustaining household economies. Beyond aesthetics, the sculpture embodies the broader socio-political narratives of the Fulani, reflecting their traditional governance systems and the contemporary challenges they face, including land disputes and ethnic tensions. Through form, texture, and symbolism, the artwork invites viewers to engage empathetically with Fulani identity, fostering cultural appreciation and dialogue. This artistic inquiry underscores the capacity of sculpture not only to preserve intangible heritage but also to provoke critical reflection on socio-economic realities and promote peaceful coexistence in Nigeria’s diverse society
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