P. O. Odogbor

This study examines the selection and editing of songs as a means of censoring for radio stations in Benin City, it focuses on how radio stations control music contents to align with the regulatory ethnics that are played by regulatory bodies in Nigeria. It also aligns with the cultural, ethnical ethics. The research highlights rapid increase in vulgar, violent and morally inappropriate lyrics that are used in songs. The findings also reveal how radio stations in Benin city adopts different techniques in the use of cubbing these contents, and some challenges faced are also cited

This study investigates the stylistic rendition of hymns in selected Pentecostal churches in Benin City, Nigeria.
While African Christian music has received considerable scholarly attention, limited studies have provided detailed stylistic and ethnographic analyses of hymn performance within Edo State’s unique socio-cultural context, as most focus on broader or Yorùbá settings. This research fills that gap by examining how hymns are musically, linguistically, and theologically reconfigured across five major Pentecostal denominations in Benin City. Adopting a qualitative research design, the study integrates stylistic analysis covering phonology, lexis, syntax, and semantics—with ethnographic methods. Data were obtained through non-participant observation, audio recordings, and semi-structured interviews with pastors, music leaders, and congregants. Findings are expected to reveal that hymn renditions in these churches feature increased tempo and rhythmic intensity, code-switching into Nigerian Pidgin and Edo languages, and semantic expansion through new themes emphasizing prosperity, healing, and spiritual
warfare. These stylistic adaptations reflect intentional strategies by church leaders to foster cultural relevance, encourage congregational engagement, and root theological messages in the local lived realities of worshippers. Ultimately, the study contributes to African religious and music scholarship by offering a contextualized framework for understanding the dynamic interplay between musical performance, linguistic adaptation, and theological interpretation in Pentecostal worship in Benin City

This paper explores the social and cultural significance of select songs by Sikiru Ayinde Barrister, a pioneering Fuji musician. Through a critical analysis of his music, this study examine how his songs reflect and shape societal values, cultural norms, and political consciousness in Nigeria. Specifically, I focus on songs that address themes of love, morality, social justice, and political commentary, demonstrating how Barrister's music serves as a platform for social critique, cultural preservation, and community engagement. This research highlights the importance of Fuji music as a cultural expression and its role in shaping Nigerian society, contributing to the understanding of the dynamic relationship between music, culture, and society

This study examines the role of community theatre in promoting local culture in Benin City. It investigates how theatre functions beyond entertainment, serving as a platform for cultural preservation, social education, and grassroots development. Guided by a qualitative research design, data were gathered through interviews and observations with practitioners, students, and audiences. The findings reveal that community theatre is rooted in traditional performance but faces challenges such as limited funding, weak organisation, and sustainability issues. At the same time, the study shows that applying basic management approaches including planning, role sharing, and participatory decision-making help theatre groups remain active and relevant. The research concludes that community theatre continues to provide cultural value and social dialogue, though greater institutional support and improved training are needed. Overall, the study underscores the continuing importance of theatre as a tool for cultural identity and collective expression in Benin City.