POETRY

POETRY AS A WEAPON: SATIRE IN ODIA OFEIMUN'S THE POET LIED

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Abstract
This study establishes Odia Ofeimun as a consummate satirist through an analysis of his poetry collection, The Poet Lied. Employing the sociological theory of literature, this study examines how Ofeimun uses satire to critique three key sectors of Nigerian society: the clergy, for promoting a false religion in “Paradise for the Aladuras”; the political class, for their empty promises and false messianism in “A Serious Matter” and “The Messiahs”; and the privileged elite, for their brutal and futile greed in “After the News.” The study concludes that Ofeimun’s poetry serves as a powerful mirror, using sharp irony and vivid imagery to expose societal failings and affirm his standing as a critical voice in African literature.
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POETRY AS A MEDIUM FOR SOCIAL CHANGE: EXAMPLES FROM ADEBAYO LAMIKANRA’S HEART SOUNDS AND MUSA IDRIS OKPANACHI’S MUSIC OF THE DEAD

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Faculty
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Abstract
This study explores how poetry can be used to inspire societal change, using Adebayo Lamikanra’a Heart Sounds and Musa Idris Okpanachi’s Music of the Dead as sources of inspiration. The study examines how poets use language and poetic devices to subvert social conventions, elicit thoughts and motivate actions through an analysis of several poems. By exploring the themes of social injustice, political corruption and oppression
presented in these poems, we may reveal poetry’s innate ability to raise consciousness and spark social justice movement. The study encourages readers to appreciate poetry as not only an art form but also a potent tool for effecting positive societal change.
Supervisor(s)
co-supervisor