CULTURAL HERITAGE

STAGING EGWU OHUHU DANCE OF THE ANIOMA PEOPLE OF DELTA STATE FOR CULTURAL REVIVAL

Faculty
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upload
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Abstract
The purpose of this research project is to employ traditional dance as a vehicle for creating awareness, reviving of a dance going extinct and identity construction, using the Egwu Ohuhu dance of the Anioma people of Delta state as an example. This work researched into the cultural background of the Anioma people, the Egwu Ohuhu dance, and the problems associated with cultural extinction and provided solutions to help revive cultural dances. It also researched on the uniqueness of Egwu Ohuhu dance in retaining the cultural qualities of the Anioma people. The methodologies used in sourcing for information were; Primary research method which involved personal interviews with the indigenes of Ugbodu Village, Secondary method which involved library research and the consultation of books, journals, articles, commentaries and so on which were related to the topic of research. Also, Experimental method of research which involved, the creation of a dance script, auditioning rehearsing with the performers and staging a dance performance. The research concludes that dance can be utilized as a tool and weapon to create awareness, and create a notion that the act is more than the mere movement of the body which could serve as a form of entertainment. It can have a purpose to change ideals and provide solutions to problems
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co-supervisor

COSTUME AS A SIGNIFICANT CULTURAL ELEMENT IN THE PRESERVATION OF NIGERIAN CULTURAL HERITAGE

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Abstract
This project explores the significant role of costume and make-up in the promotion and preservation of cultural heritage. Costume and make-up are integral elements of cultural expression, serving as powerful tools for visual storytelling and cultural identity reinforcement. Despite their potential, these elements are often underappreciated and underutilized in cultural promotion efforts. The aim of this study is to demonstrate the importance of costume and make-up in cultural promotion and advocate for their increased use in cultural initiatives. The study employs a qualitative research approach, using case studies from various cultural performances and media to illustrate the impact of costume and make-up on cultural promotion. Through in-depth analysis, the study examines how traditional and contemporary practices in costume and make-up contribute to the preservation of cultural heritage and the engagement of diverse audiences. Findings reveal that costume and make-up not only enhance the aesthetic appeal of cultural performances but also play a crucial role in conveying cultural narratives and values. These elements help to bridge the gap between generations, ensuring that cultural traditions are passed down and appreciated by younger audiences. Additionally, costume and make-up can serve as educational tools, providing insights into the customs, beliefs, and history of different cultures. Recommendations from this study emphasize the need for greater recognition of the role of costume and make-up in cultural promotion. Cultural organizations, educators, and media producers are encouraged to integrate these elements into their programs and productions to foster a deeper appreciation of cultural heritage. By doing so, they can contribute to the preservation and celebration of cultural diversity, ensuring that
cultural traditions continue to thrive in a rapidly globalizing world
Supervisor(s)
co-supervisor