SEUN JOHN DANIEL

This research explored the concept of vengeance and justice through the cultural and spiritual representation of Sango, the Yoruba god of thunder and fire. The study addressed the problem of increasing moral decline, betrayal, and the erosion of integrity in today’s society, which have contributed to the breakdown of traditional values and social harmony. The study aimed to reinterpret Sango as a symbol of justice, power, and moral equilibrium, using visual art to illustrate the effects of betrayal and the importance of restoring truth and righteousness within human relationships and the larger community. The project was developed through a series of creative stages. It commenced with a conceptual and contextual study of Yoruba mythology, symbolism, and the spiritual significance of Sango as a divine figure of strength and retribution. This was followed by the creation of sketches and compositional designs to establish visual rhythm, balance, and narrative expression. The painting process utilized the realistic technique, involving meticulous layering, blending, and tonal gradation to produce naturalistic forms and dynamic energy that embody Sango’s fiery presence. The final phase included refinement, critical evaluation, and presentation to ensure both visual unity and thematic clarity. The study discovered that traditional deities like Sango remain relevant as symbolic channels for confronting moral, social, and political challenges in modern times. It concluded that visual art serves as an effective means of cultural preservation, ethical reflection, and social commentary. The study therefore recommends that artists continue to draw inspiration from indigenous myths and symbols to interpret contemporary realities, foster moral awareness, and promote cultural identity through creative expression